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This article includes an extensive description of the physical structure and encoding of data on CDs. It covers the frame and block levels including EFM, interleaving and subcode channels.

Look in any newsgroup devoted to DAW discussion and sooner or later there will be some sort of mention regarding favorite hard disks or preferred disk formatting techniques or optimum parameter settings or SOMETHING about the impact of specific hard drives on the performance of audio streaming. Often, the argument starts with the personal preference between SCSI and IDE disk drives.

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